|
|
Monday, April 3
Family History Writing SIG
7:00 pm to 9:00 pm ZOOM Meeting - Limited to SIG membership (its free)
We invite you to join us for the FxGS Family History Writing SIG online Zoom meeting on Monday night April 3rd from 7:00 pm to 9:00 pm to review this month's manuscript.
If you have a manuscript you are writing for your family or publication, members of the Family History Writers’ Special Interest Group would enjoy reading and reviewing your family narratives to help you to make them even better.
We are all at different levels of writing skills and experience, and we enjoy helping each other. Whether questions of grammar, comma usage, spelling variations, or those fiendish footnotes, we welcome the opportunity to discuss and debate the issues.
If you wish to be added to the members' list to receive a copy of the draft manuscript by email and join the online meetings, please send your name and email address to SIG co-leader Sean Furniss at Sean.Furniss@gmail.com.
Join us at the online Zoom meeting and see how historical context can be incorporated into family history narratives. See how two stories can be told at once, placing the protagonist in the center of the action, adding suspense, injecting drama, and using dialogue to move the story forward.
|
|
|
|
Monday, May 1
Family History Writing SIG
7:00 pm to 9:00 pm ZOOM Meeting - Limited to SIG membership (its free)
We invite you to join us for the FxGS Family History Writing SIG online Zoom meeting on Monday night May 1st from 7:00 pm to 9:00 pm to review this month's manuscript.
If you have a manuscript you are writing for your family or publication, members of the Family History Writers’ Special Interest Group would enjoy reading and reviewing your family narratives to help you to make them even better.
We are all at different levels of writing skills and experience, and we enjoy helping each other. Whether questions of grammar, comma usage, spelling variations, or those fiendish footnotes, we welcome the opportunity to discuss and debate the issues.
If you wish to be added to the members' list to receive a copy of the draft manuscript by email and join the online meetings, please send your name and email address to SIG co-leader Sean Furniss at Sean.Furniss@gmail.com.
Join us at the online Zoom meeting and see how historical context can be incorporated into family history narratives. See how two stories can be told at once, placing the protagonist in the center of the action, adding suspense, injecting drama, and using dialogue to move the story forward.
|
|
|
|
Monday, June 5
Family History Writing SIG
7:00 pm to 9:00 pm ZOOM Meeting - Limited to SIG membership (its free)
We invite you to join us for the FxGS Family History Writing SIG online Zoom meeting on Monday night June 5th from 7:00 pm to 9:00 pm to review Claire Bettag's manuscript about the Mire family. This is chapter nine of a family book that traces nine generations in her paternal line, with each chapter profiling one paternal ancestor in the line from her 7th great-grandfather to her dad.
This book is being written for immediate family and any interested descendants of her 7th great-grandfather, from Normandy, France
If you have a manuscript you are writing for your family or publication, members of the Family History Writers’ Special Interest Group would enjoy reading and reviewing your family narratives to help you to make them even better.
We are all at different levels of writing skills and experience, and we enjoy helping each other. Whether questions of grammar, comma usage, spelling variations, or those fiendish footnotes, we welcome the opportunity to discuss and debate the issues.
If you wish to be added to the members' list to receive a copy of the draft manuscript by email and join the online meetings, please send your name and email address to SIG co-leader Sean Furniss at Sean.Furniss@gmail.com.
Join us at the online Zoom meeting and see how historical context can be incorporated into family history narratives. See how two stories can be told at once, placing the protagonist in the center of the action, adding suspense, injecting drama, and using dialogue to move the story forward.
|
|
|
|
|